Typophile: Dan X. Solo

I love typography. It is hands down, my favorite aspect of design. I can study letter forms for hours ignoring all else in the world (just ask my girl friend, Kim). In one of my recent library adventures I found two books of typography collections; one of Victorian Display Alphabets and one of Modern Display Alphabets, both from the mid 1970s. I took them home and copied my favorite fonts which was nearly half of the 100 Victorian alphabets and only three of the Modern.

The Victorian book was put together by Dan X. Solo for Dover Books. It is only one of several books that he has compiled for Dover. Mr. Solo has been collecting vintage type for most of his life, a hobby I unfortunately keep largely web based. I could only imagine the drawers and stacks of type specimens that must fill his house! I imagine his house is like a typographers porn shop. His collection well worn and dogeared by repeated viewings.  After viewing this nearly ancient book I found that only a small portion of his collection have been officially digitized. I am sure that many designers and typographers have digitized some of his alphabet books for their personal use (after all, I did). From the fonts I copied I frankensteined my favorite traits for a logo concept I am working on for Palindrome Apparel. This concept isn’t finished quite yet, it is still a little masculine for a dual-sex line. I am adding flourishes and stylized plant forms to illustrate the outwear aspect of the company while maintaining the strong, classic letter forms to keep it bold and timeless.

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(I will post the final version that is decided upon when the time comes)

Dan X. Solo Biography from MyFonts.com

The Solotype Archive was begun in 1942 when I was 14. I was a kid printer for several years before that. At 16, after a quick three months of training, I dropped out of school and went to work full time as a radio actor and announcer in San Francisco. (Easy to get jobs in those days, due to the war-induced manpower shortage.) In 1949 and 1950, I created a magic show which played West Coast theatres with some success. After that, back to broadcasting.

By 1962, I was completely burned out on radio, so I decided to see if I could make a living with my collection of antique types, which numbered about a thousand fonts at that time. In 1962, I sent out 4,000 catalogs showing the type to ad agencies all over the U.S. The timing was perfect (no thanks to me) because there was developing at that time a renewed interest in the old types. Business took off immediately.

The Solotype collection was one of four commercial collections at the time, but I seemed to have been more aggressive in marketing than the other chaps. (Well, Morgan Press certainly knew how to market.)

Two years into the business, I began to collect alphabets on paper for conversion to photo lettering, which was just becoming mainstream in the type business. We closed the shop for a month every year and went on a type hunt, mostly in Europe where there didn’t seem to be much competition among collectors. Other typographers couldn’t understand how we could do this, but I believe it made people appreciate the resource we offered even more. Over the years, the collection became quite large. When I closed Solotype a couple of years ago, I got rid of about half the archive (because the fonts were dull, or already digitized, or for a variety of other reasons) leaving me with about 6,000 fonts on paper or film.

In 1974, I began to supply Dover Publications with mechanicals for books of 100 alphabets on a particular theme. I did 30 of these books over the years, and 30 more of printers’ ornaments, borders, and so forth. Sometime in the 1990s, Dover asked me to digitize books of 24 fonts each, to be sold with a disk in the back. I did 12 of these. The Dover relationship came to an end when Haywood Cirker, the owner and my special friend, died and the company was sold to another publisher. Dover felt that they had covered the type field thoroughly.

Now in my old age, my wife and I have a mindreading act that is great fun and good for the ego. Even so, when not traveling, I digitize type for relaxation and enjoyment, but have made no effort to sell it. Until now.

HoliYeti

This is my latest linocut, Yeti. I wanted to create a simple print in the spirit of the season and rather than using the usual figures I decided to go with a cryptozoology favorite. I printed this at Lisa Smithson’s print shop in Columbia, CA. Her family and I equipped her shed for printing this summer and now that I have been laid off I have a little time to get in there. I plan on making a bunch more relief prints in the future, hopefully enough for a themed show next winter. I will keep you updated on those prints as they evolve. Watch the blog in the near future for an interview with Smithson and read about her awesome plans for introducing printmaking to Tuolumne County!

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Ski Resort Security VS. UTL

No one likes you when you work for Ski Resort Security or “Mountain Security.” Trust me I know. This is a design my co-workers and I agreed upon at the end of our season working security for a resort in Colorado. We were going to make shirts and sell them to all the kids who hated us.

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Artist Survey # 10: Ben Deutsch

I have known Ben for the majority of my life. We attended the same elementary and high schools and his brother and I were good friends growing up. He is a multi-talented kid who had tried his hand at many different art forms including music, screen printing and now photography.

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Name: Ben Deutsch

Location: Sonora, CA

Medium(s): photography

What do you consider yourself (artist/designer/other)? artist

Where can we see your work (place/publications/url)? Hopefully, if I play my cards right in a local gallery.

When did you start gaining interest in artistic forms of expression? Oh, about four or five years ago when I started venturing out more and more.

Who/What inspired your interest? My surroundings. sometimes you see things that just have to be photographed.

Where do you first remember being exposed to art? As a young child. color crayons, finger paints… you know

What is your day job? Right now… trying to find a day job.

Why do you create? I have no idea.

Is there any recurring theme in your work? Not intentionally.

What do you want from your work? Satisfaction.

What do you want viewers to take from your work? I want them to see what I saw, and feel what I felt when I took the shot. The idea behind it is to show people something that they haven’t seen before, or a new perspective of a common object.

How often do you work on personal projects? Most of the time.

How often do you work on commissions or commercial work? I haven’t yet.

Does your art support you financially? Not at all. Quite the opposite actually.

Do you feel preoccupied with your art, do you think about it often during the day and night and do you anticipate your next session? Yes. Taking the shot, developing the film, printing the picture, and mounting it can take a couple weeks. It’s hard not to think about it when you’re not working on it.

What do you do in your spare time besides your art? I’ve been known to spend hours sitting around playing music. I also have this inherent fascination with fishing.

Which musicians are you currently interested in? At the Drive-In, Chuck Ragan, Austin Lucas, Minus the Bear. Ask me again tomorrow.

Are there any events you are looking forward to attending? Dentist appointment?

How long do you generally take on a piece? On average from start to finish… 3 weeks. Although I have film that I shot almost a year ago that I am just now making prints of.

Have you jeopardized or risked the loss of a significant relationship, job, educational or career opportunity because of your art? No

Do you work on multiple projects at once? All the time.

Do you have trouble parting with your finished work? No, because it usually goes somewhere where it is appreciated.

Metal Stamped Type

These were at a view point in Mammoth, CA. I used to set type into horse shoes with a hammer at a historic blacksmith shop leaving a mark similar to these. I used metal dies with reversed letters and I would pound them onto the shoes with a 4 pound sledge hammer. It took a while to get used to it, but eventually I could get through several class lists without anyone getting hurt (sometimes the die shot out of my hand).

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ProArts


(Dignidad Rebelde activist printmakers/mixed media artists)

The ProArts Gallery of the East Bay Area is putting out a call for entry for artists in the Greater Bay Area. I believe “Greater” being a loose term for most places in Northern California. If you go to their Call for Entry page you can get the info and applications for their latest annual events. Check out the ProArts site and and see what they are all about. They might be something you are interested in participating in. Here are some or the artists that caught my eye while browsing their members:


(Anthony Holdsworth painter)

Here is what they are saying about one of their events:

Show your art to the largest and most diverse art audience in the region. The Directory of East Bay Arts and East Bay OPEN STUDIOS is a straightforward way for artists at any stage in their career to get their work seen by art patrons, curators, other artists, business leaders, community leaders, and art enthusiasts. After nearly 30 years, the annual East Bay Open Studios (EBOS) continues to bring visitors from all over the Bay Area to local artists’ studios for the opportunity to see the best art made in the East Bay today, likewise, the publication, Directory of East Bay Art extends the reach of the event and provides a year-long reference, a Who’s Who guide for artists.


(Christina Koci Hernandez Photographer)

Behance Yourself

So I have just been introduced to the Behance Network during my daily internet excursions. It appears to be a online portfolio/community for the creative sort. It has an huge number of impressive portfolios ranging from Acrobats to Video Jockeys and everything in between. You must request an account so I am guessing that these guys don’t fuck around. There is a lot of professional work displayed including commercials, print and illustrations that have been utilized to sell products around the world. If you suck and don’t get invited to have a creative account, or if you just want to hang out in creative cyberspace, you can sign up to be a Watcher where you can track the work of the Creatives and follow their projects, kinda like MySpace friend updates I guess. Whether you want  to have an account or not you should peruse some of the portfolios. It is a great way to kill time and feel like your work sucks. Here is what the site says about itself:

Showcase Your Work

  • Build a dynamic, multimedia portfolio of your latest projects, open to all or shared selectively.

Gain Exposure

  • Many thousands of visitors come to Behance every day to view your work. In addition, projects are streamed through other sites across the web.

Discover Job Opportunities

  • Behance’s JobList features great work opportunities. Creative industry leaders use the Network to find, track and hire top talent.

Connect and Collaborate

  • Form groups (“circles”) gathered around interests, share content, get feedback.

Share tips and access resources

  • Behance’s Tip Exchange provides insights for creative professionals, and throughout Behance one can access knowledge, services and products for the creative community.

Sonora Art Trails 2009!

Last night I went to a meeting for the 2009 Sonora Art Trails Open Studio Tour. Corey West and I were the only young voices in the group. With West already being an established artist in town my presence quickly became the focal point. The other artists were so excited to meet a young person interested in the arts! They wanted to know what they could do to get other young, energetic artists introduced into the local art scene. Unfortunately I didn’t have a whole lot of answers for them. We need to start making our presence known. The people want to see new ideas, new images, new blood!

The Sonora Art Trails is an annual event in May where several artist open their studios to the public. It is an event that is well publicized in the Central Valley and Bay Areas. Hundreds of people venture to our town to tour the studios buying artwork and swapping stories along the way. If you are reading this, you need to be involved. It is a great way to get your art in front of people from all over, not just the locals. I know what you are thinking, but you don’t need a studio to participate! All of the artists attending the meeting were anxious to help anyone who is just starting out, but there are only two artists allowed to a space. If you split a space you also split the registration fee!

If you are interested and want to know more, or think you know someone who wants to know more, please contact me or go to their site here. There is a registration fee and form that must be turned in before December 17th. That’s only two weeks away! The actual event in May 16th and 17th, 2009, but they need to know who is attending now to get your info in the pamphlets and and marketing materials. Please consider being a part of it. I am so tired of looking at the same old stuff.

Important Stuff To Know:

Artist Survey #9: Corey West

Corey is a local artist who’s work has exploded in our county. She is a really hard worker, attending all of the festivals and craft fairs in the county. She also beautifully frames and mattes work. I go to her for all of my presentation needs. Even Jesus was prepared by her!

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Name: Corey West

Location: Sonora, CA

Medium(s): mixed : watercolor, acrylic, ink, collage and found objects

What do you consider yourself (artist/designer/other)? well- good art has good design – so shouldn’t artists be designers as well?

Where can we see your work (place/publications/url)? Ventana Gallery (Sonora), San Francisco Design Center (Hinc Showroom) www.coreywest.artspan.com

When did you start gaining interest in artistic forms of expression? I don’t remember not having interest in artistic forms of expression.

Who/What inspired your interest? It has always been there, but my dad helped me grow my interest by encouraging it.

Where do you first remember being exposed to art? It has always been around me.

What is your day job? I work in my studio full time – painting and custom framing

Why do you create? That is hard to answer. Creating art is such a part of me… it is who I am. I can’t imagine not creating…

Is there any recurring theme in your work? Not necessarily.

What do you want from your work? I want my work to inspire me to keep learning and growing.

What do you want viewers to take from your work? There is a lot, but basically if I can make people smile, give them inspiration – I am happy. My work is happy – there is so much doom and gloom out there and if I can portray a happier life then I am doing my job.

How often do you work on personal projects? As much as possible.

How often do you work on commissions or commercial work? Often, but even the commercial work and commissions I have a way of turning them into personal projects (makes it much more fun to do).

Does your art support you financially? Pays the studio bills, but that is all for now.

Do you feel preoccupied with your art, do you think about it often during the day and night and do you anticipate your next session? If I am not in the studio painting I am thinking about what I am going to work on next.

What do you do in your spare time besides your art? I don’t have spare time. I take care of my baby and run a business where I do framing, painting, make purses from repurposed fabric, jewelry…so there is no free time.

Which musicians are you currently interested in? I listen to my baby’s musical toys more than anything so the only thing stuck in my brain is the abc’s!

Are there any events you are looking forward to attending? A friend of mine is working on opening a gallery in the Oakland area and showing my work…I am very excited about that.

How long do you generally take on a piece? It varies. Anywhere from a day to a week sometimes more.

Have you jeopardized or risked the loss of a significant relationship, job, educational or career opportunity because of your art? I have never been in a situation where it would be an issue.

Do you work on multiple projects at once? Yes.

Do you have trouble parting with your finished work? No. My work is very personal, but once it is done I move on. And besides, if I am ever going to make a living at this I have to be willing to part with it.